Showing posts with label classic poems. Show all posts
Showing posts with label classic poems. Show all posts

Wednesday, November 10, 2010

A Poem for Wednesday: Litany

Love Song
8" x 10"
Acrylic and Mixed Media on Canvas


You are the bread and the knife,
the crystal goblet and the wine.
You are the dew on the morning grass
and the burning wheel of the sun.
You are the white apron of the baker,
and the marsh birds suddenly in flight.

However, you are not the wind in the orchard,
the plums on the counter,
or the house of cards.
And you are certainly not the pine-scented air.
There is just no way that you are the pine-scented air.

It is possible that you are the fish under the bridge,
maybe even the pigeon on the general's head,
but you are not even close
to being the field of cornflowers at dusk.

And a quick look in the mirror will show
that you are neither the boots in the corner
nor the boat asleep in its boathouse.

It might interest you to know,
speaking of the plentiful imagery of the world,
that I am the sound of rain on the roof.

I also happen to be the shooting star,
the evening paper blowing down an alley
and the basket of chestnuts on the kitchen table.

I am also the moon in the trees
and the blind woman's tea cup.
But don't worry, I'm not the bread and the knife.
You are still the bread and the knife.
You will always be the bread and the knife,
not to mention the crystal goblet and--somehow--the wine.

Billy Collins

Wednesday, July 28, 2010

A Poem for Wednesday: Dutiful

"Transition"
30" x 40"
Oil and Mixed Media on Canvas
Fine Art Giclee Prints available on my Etsy site.

DUTIFUL


How did I get so dutiful? Was I always that way?
Going around as a child with a small broom and dustpan,
sweeping up dirt I didn't make,
or out into the yard with a stunted rake,
weeding the gardens of others
– the dirt blew back, the weeds flourished, despite my efforts –
and all the while with a frown of disapproval
for other people's fecklessness, and my own slavery.
I didn't perform these duties willingly.
I wanted to be on the river, or dancing,
but something had me by the back of the neck.
That's me too, years later, a purple-eyed wreck,
because whatever had to be finished wasn't, and I stayed late,
grumpy as a snake, on too much coffee,
and further on still, those groups composed of mutterings
and scoldings, and the set-piece exhortation:
Somebody ought to do something!
That was my hand shooting up.

But I've resigned. I've ditched the grip of my echo.
I've decided to wear sunglasses, and a necklace
adorned with the gold word no,
and eat flowers I didn't grow.
Still, why do I feel so responsible
for the wailing from shattered houses,
for birth defects and unjust wars,
and the soft, unbearable sadness
filtering down from distant stars?

by Margaret Atwood

Wednesday, June 30, 2010

A Poem for Wednesday: The Road Not Taken


10" x 12"
Watercolor on Paper
This painting is available on my Etsy site.

The Road Not Taken 

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I-
I took the one less traveled by,
And that has made all the difference.


by Robert Frost

Wednesday, June 2, 2010

A Poem for Wednesday



The Edge of The Deep Green Sea
16" x 20"
Acrylic and Mixed on Canvas
Fine Art Prints are available of this original painting, email me for details.

Annabel Lee
by Edgar Allen Poe


It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of Annabel Lee;
And this maiden she lived with no other thought
Than to love and be loved by me.

I was a child and she was a child,
In this kingdom by the sea;
But we loved with a love that was more than love-
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.

And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her highborn kinsman came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.

The angels, not half so happy in heaven,
Went envying her and me-
Yes!- that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.

But our love it was stronger by far than the love
Of those who were older than we-
Of many far wiser than we-
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee.

For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling- my darling- my life and my bride,
In the sepulchre there by the sea,
In her tomb by the sounding sea. 

Wednesday, May 26, 2010

A Poem for Wednesday



Sometimes I Feel Like I'm Falling in the Ocean
24" x 24" x 1.5" (2 canvas panels, 12" x 24" each)
Oil and Mixed Media
This painting is available on Etsy:


Still I Rise
by Maya Angelou

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.

Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.

Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.

Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own back yard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?

Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.

Wednesday, May 19, 2010

A Poem for Wednesday




Amy Always Kept Fresh Gladiolas on the Table
Fine art prints of this original painting are available on my Etsy site:
http://www.etsy.com/listing/47355983/amy-always-kept-fresh-gladiolas-on-the

Kindness
by Naomi Shihab Nye

Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.

Before you learn the tender gravity of kindness,
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.

Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.

Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to mail letters and
purchase bread,
only kindness that raises its head
from the crowd of the world to say
it is I you have been looking for,
and then goes with you every where
like a shadow or a friend.

Wednesday, April 14, 2010

A Poem for Wednesday



Dance in the Sun
12" x 24"
Acrylic andMixed Media on Canvas
http://www.etsy.com/view_listing.php?listing_id=38863596


Let it enfold you
by Charles Bukowski (excerpt)

either peace or happiness,
let it enfold you

when I was a young man
I felt these things were
dumb, unsophisticated.
I had bad blood, a twisted
mind, a precarious
upbringing.

I was hard as granite, I
leered at the
sun.
I trusted no man and
especially no
woman.

I was living a hell in
small rooms, I broke
things, smashed things,
walked through glass,
cursed.
I challenged everything,

I changed jobs and
cities, I hated holidays,
babies, history,
france, italy, walnuts and
the color
orange.

peace and happiness to me
were signs of
inferiority,
tenants of the weak
an
addled
mind.

but as I went on with
my alley fights,
my suicidal years,
my passage through
any number of
women — it gradually
began to occur to
me
that I wasn't different
from the
others, I was the same,

they were all fulsome
with hatred,
glossed over with petty
grievances,
the men I fought in
alleys had hearts of stone.
everybody was nudging,
inching, cheating for
some insignificant
advantage,
the lie was the
weapon and the
plot was
empty,
darkness was the
dictator.

cautiously, I allowed
myself to feel good
at times.
maybe the other life had worn me
down.
I no longer found
glamour
in topping somebody
in conversation.

I re formulated
I don't know when,
date, time, all
that
but the change
occurred.
something in me
relaxed, smoothed
out.
I no longer had to
prove that I was a
man,

I didn't have to prove
anything.

(the whole world is at the
throat of the world,
everybody feels angry,
short-changed, cheated,
everybody is despondent,
disillusioned)

I welcomed shots of
peace, tattered shards of
happiness.

(don't get me wrong,
there is such a thing as cockeyed optimism
that overlooks all
basic problems just for
the sake of
itself —
this is a shield and a
sickness.)

The knife got near my
throat again,
I almost turned on the
gas
again
but when the good
moments arrived
again
I didn't fight them off
like an alley
adversary.
I let them take me,
I luxuriated in them,
I bade them welcome
home.
I even looked into
the mirror
once having thought
myself to be
ugly,
I now liked what
I saw, almost
handsome, yes,
a bit ripped and
ragged,
scares, lumps,
odd turns,
but all in all,
not too bad,
almost handsome,
better at least than
some of those movie
star faces
like the cheeks of
a baby's
butt.

and finally I discovered
real feelings of
others,
unheralded,
like lately,
like this morning,
as I was leaving,
for the track,
I saw my wife in bed,
just the
shape of
her head there
so still,
I ached for her life,
just being there
under the
covers.

I kissed her in the,
forehead,
got down the stairway,
got outside,
got into my marvelous
car,
fixed the seatbelt,
backed out the
drive.
feeling warm to
the fingertips,
down to my
foot on the gas
pedal,
I entered the world
once
more,
drove down the
hill
past the houses
full and empty
of
people,
I saw the mailman,
honked,
he waved
back
at me.

Gina Marie Dunn, Utopia Pkwy. Art Studio's Fan Box

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